{"id":8129,"date":"2020-12-25T21:28:56","date_gmt":"2020-12-25T19:28:56","guid":{"rendered":"https:\/\/ackermann.ee\/gallery\/voorad-putod\/"},"modified":"2021-10-05T00:37:37","modified_gmt":"2021-10-04T21:37:37","slug":"voorad-putod","status":"publish","type":"gallery","link":"https:\/\/ackermann.ee\/en\/gallery\/voorad-putod\/","title":{"rendered":"Non-Ackermann-like puttos"},"content":{"rendered":"<p>The Rapla pulpit\u2019s corbel puttos with soft, folded wings have faces (snub noses, large eyes, cleft chins, etc.) that differ considerably from other pulpits produced by Ackermann\u2019s workshop. <\/p>\n<p>The pulpit\u2019s carving technique and composition nevertheless have a great many features that resemble those of two works in the case of which their connection to Ackermann is documentarily verified (the M\u00e4rjamaa retable and the Swedish St. Michael\u2019s Church pulpit). Hence it can be presumed that the carved works that differ somewhat from the Rapla pulpit\u2019s other works also originate from Ackermann\u2019s workshop.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The putto corbels of the corpus do not resemble Ackermann\u2019s other 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