{"id":3440,"date":"2018-07-31T16:57:52","date_gmt":"2018-07-31T13:57:52","guid":{"rendered":"https:\/\/ackermann.ee\/gallery\/hageri-altariseina-algne-polukroomia\/"},"modified":"2018-09-05T12:09:51","modified_gmt":"2018-09-05T09:09:51","slug":"hageri-altariseina-algne-polukroomia","status":"publish","type":"gallery","link":"https:\/\/ackermann.ee\/en\/gallery\/hageri-altariseina-algne-polukroomia\/","title":{"rendered":"Hageri church retable\u2019s polychromy"},"content":{"rendered":"<p>The two different strata of the Hageri church retable \u2013 those of Ackermann\u2019s time and of Rabe\u2019s time \u2013 are also reflected in its polychromy. According to analyses of the paint on the retable, it appears that Rabe did not paint over the older sculptures from Ackermann\u2019s time but did have the old ornamental parts repainted, since polychromic coats are found on these parts.<\/p>\n<p>The retable\u2019s polychromies from Ackermann\u2019s and Rabe\u2019s times are covered by another two monochromic coats of paint, the first in grey tones and the second in brown tones. It seems that the altar acquired its grey tonality in 1851, at the time of Walther\u2019s painting, and it was given its current brown colouring in the early 1890s, when the old baroque retable was brought into the new church and adjusted to match the overall brown colouring of the church.<\/p>\n<p>The sculptures were also probably painted white in the mid-19<sup>th<\/sup> century, evidently because colourful wooden sculptures did not fit in with 19<sup>th<\/sup> century aesthetics.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The retable\u2019s polychromies from Ackermann\u2019s and Rabe\u2019s times are covered by another two monochromic coats of paint, the first in grey tones and the second in brown tones. The sculptures were probably painted white in the mid-19th century.<\/p>\n","protected":false},"featured_media":3081,"menu_order":126,"template":"","format":"standard","class_list":["post-3440","gallery","type-gallery","status-publish","format-standard","has-post-thumbnail","hentry"],"better_featured_image":{"id":3081,"alt_text":"","caption":"","description":"","media_type":"image","media_details":{"width":1920,"height":550,"file":"GROUP35_www-pildid-works-featured-1920x550.jpg","sizes":{"thumbnail":{"file":"GROUP35_www-pildid-works-featured-1920x550-150x150.jpg","width":150,"height":150,"mime-type":"image\/jpeg","source_url":"https:\/\/ackermann.ee\/wp-content\/uploads\/GROUP35_www-pildid-works-featured-1920x550-150x150.jpg"},"medium":{"file":"GROUP35_www-pildid-works-featured-1920x550-300x86.jpg","width":300,"height":86,"mime-type":"image\/jpeg","source_url":"https:\/\/ackermann.ee\/wp-content\/uploads\/GROUP35_www-pildid-works-featured-1920x550-300x86.jpg"},"medium_large":{"file":"GROUP35_www-pildid-works-featured-1920x550-768x220.jpg","width":768,"height":220,"mime-type":"image\/jpeg","source_url":"https:\/\/ackermann.ee\/wp-content\/uploads\/GROUP35_www-pildid-works-featured-1920x550-768x220.jpg"},"large":{"file":"GROUP35_www-pildid-works-featured-1920x550-1024x293.jpg","width":1024,"height":293,"mime-type":"image\/jpeg","source_url":"https:\/\/ackermann.ee\/wp-content\/uploads\/GROUP35_www-pildid-works-featured-1920x550-1024x293.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","keywords":[]}},"post":3440,"source_url":"https:\/\/ackermann.ee\/wp-content\/uploads\/GROUP35_www-pildid-works-featured-1920x550.jpg"},"photo":[{"ID":"3087","post_author":"3","post_date":"2018-07-31 16:59:21","post_date_gmt":"2018-07-31 13:59:21","post_content":"","post_title":"Korpuse samba algne punane v\u00e4rvitoon n\u00e4ha nii sondaa\u017ei kui ristl\u00f5ikena. 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