{"id":2704,"date":"2018-02-05T20:32:06","date_gmt":"2018-02-05T18:32:06","guid":{"rendered":"https:\/\/ackermann.ee\/gallery\/varasemad-keskaegsed-kolaraasta-skulptuurid\/"},"modified":"2021-09-27T09:35:44","modified_gmt":"2021-09-27T06:35:44","slug":"varasemad-keskaegsed-kolaraasta-skulptuurid","status":"publish","type":"gallery","link":"https:\/\/ackermann.ee\/en\/gallery\/varasemad-keskaegsed-kolaraasta-skulptuurid\/","title":{"rendered":"Earlier (medieval) sculptures on the pulpit\u2019s sounding board"},"content":{"rendered":"<p>These little sculptures might originate from a pulpit that predates Heissmann or from some medieval altarpiece altogether<\/p>\n<p>It is noteworthy that sculptures from some earlier carving were in turn used on the sounding board of the pulpit associated with Heissmann\u2019s name. Two of the four evidently medieval figures on the sounding board that can be seen in old photographs have survived. These are sculptures depicting the Virgin Mary and St. Bartholomew the Apostle.<\/p>\n<p>In Sten Karling\u2019s opinion, these figures are from the pulpit of the Swedish St. Michael\u2019s Church that preceded Heissmann. Yet it may be just as likely that these small-scale figures were taken from some altarpiece, lectern, or altogether from another object that had belonged to the Cistercian convent (which was shut down in 1630).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>These little sculptures might originate from a pulpit that predates Heissmann or from some medieval altarpiece 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